Sanken mikrofon CSS-5

For episodic television, film/video documentaries. and major broadcast events. it has become desirable to record targeted sounds precisely, with the added option of cap­turing realistic stereophonic perspectives. In many cases, multiple microphone configurations impair field mobility and sonic consistency. Stereophonic localization depends pri­marily on signal accuracy and channel separation in the 400Hz to 3kHz range. Pattern control of the CSS-5 has been optimized in this range. Very low and very high fre­quency response has been optimized along the frontal axis so that the “target” on-axis sounds are clearly delineated. The result in playback accentuates the frontal image, with side signals positioned slightly behind.

In the MONO mode, sharp directivity is maintained over a wide frequency range for the aimed frontal sound sources, using the combination of a second gradient microphone and a line microphone. It is significant that the CSS-5 picks up the chosen sound source very clearly even in a noisy ambient situation or in a long reverberation space.

In the NORMAL mode, the CSS-5 clearly picks up the targeted sound as well as extremely accurate stereo localization. STEREO angle is approx. 115°

The WIDE mode is designed for stereo recording of sound effects and environmental information where dialogue will be dubbed in at a later date. This mode allows a wider 140 degree stereo width.

In stereo recordings, the frequency response of the MONO summed output often exhibits interference, or “comb filtering.” This phenomenon is caused by phase differences between the Left and Right signals. This does not occur in single point recording, either X-Y or M-S, but does happen with spaced – AB – microphone stereo recording because of the time intervals between the two capsules. In the CSS-5, the three-capsule line array is for frontal pickup, with its elements arranged vertically along the same axis, so Mono / Stereo compatibility is superb.

Unique 5 capsule design
Superb rear rejection at 180 degrees even in low frequencies
MONO-STEREO compatibility.-Mono and phantom center have the same sound characteristics
Wide 100Hz-15kHz frequenzy response
Mono – For sharp shotgun directivity and excellent low frequency definition
Normal – For precise directional hyper-cardioid focus with accurate stereo localization
Wide – Expanded 140 degree stereo image for cinematic ambiance and stereo sound effects
Uses standard accessories
Dual 48 volt phantom power required
Standard XLR5 connector